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Showing posts with label FMWL 2010. Show all posts
Showing posts with label FMWL 2010. Show all posts

February 19, 2011

FMWL 2010 - The Year That Was (THE FINAL CHAPTER) - The Midnight Movies The Mike Fell in Love With in 2010

(Yes, this is a weeeee bit late.  I wanted to make sure it was awesome, OK?  And yes, I get to be Ron Silver, the movies get to be Jamie Lee.  That's how The Mike rolls.)

A wise man once said that "anything less than the best is a felony".  As a fan of genre cinema, I have to admit that this is not an opinion I often share.  From my perspective, it seems like I've already found a lot of the "best" that horror and sci-fi cinema has to offer.  But, while I'm trying to avoid the films that are killin' your brain like a poisonous mushroom, there are the rare moments when I find an older film that I haven't seen or maybe an older film that I dismissed when I was younger - and I actually kind of love it.

So, let's take a quick look at sixteen lovely genre flicks - all released before 2010, and presented in no particular order - that I found (or re-found) hidden in cinema's couch cushions last year.

The Silent Scream (1980, Dir. by Denny Harris.)

I guess you could call this a slasher film, but it's got more in common with Psycho and other '60s chillers -  there's even a hint of William Castle, I think - than other mindless flicks of the '80s.  A lot of the horror charm comes from the big creepy seaside house setting, and the trio of Yvonne De Carlo, Brad Rearden, and horror legend Barbara Steele play a family with too many dark secrets well.  The leads could be a little more interesting - though Rebecca Balding is adequate in the lead - but The Silent Scream still sticks as one of the more fun early '80s horrors I've seen in some time.

The Pit (1981, Dir. by Lew Lehman.)

I've already covered this one as a Midnight Movie of the Week here at FMWL, but it bears repeating that this quirky horror tale has quickly become a favorite of mine.  With a memorable performance by young Sammy Snyders and a plot that seems to be all over the horror map, The Pit matches its playful charm with an incredibly unique set of twists.  I'm not sure if there's another horror flick quite like it out there.


Starcrash (1979, Dir. by Luigi Cozzi.)

I've also covered this one, but any time I have the chance to bring up Caroline Munro, I do it.  If you're a fan of Ms. Munro like I am, this is your Citizen Kane.  And it's the perfect thing to add to the mix with Flash Gordon and episodes of Buck Rodgers in the 25th Century when you want to see what our future in space really SHOULD look like.

The Initiation of Sarah (1978, Dir. by Robert Day.)

Coming our way via the Final Girl Film Club in late November, The Initiation of Sarah is another unique horror from the late '70s/early '80s. (Considering how original a lot of these films are, don't you kind of wish the slasher hadn't come along and dumbed down the genre? Just something to ponder.)  Featuring a who's who of TV stars, including the delicious Morgan Brittany, this mixture of sorority bitchiness and dark magic goes down like steak and potatoes.  It's also available on Instant Netflix for your viewing pleasure.

The Stuff (1985, Dir. by Larry Cohen.)

There was no good reason for me to avoid a blobby film, but that's exactly what happened for most of my life.  When i finally did meet with Larry Cohen's The Stuff, I found a delightful piece of satire that takes aim at advertising, the hive mind of American society, and the people who profit from our weaknesses.  Oh, and there's Stuff that kind of acts like a Blob.  That's awesome.  Previously reviewed HERE.

Humanoids from the Deep (1980, Dir. by Barbara Peeters.)

I'd seen this one years ago, but the proper blu-ray treatment from Shout Factory and their Roger Corman's Cult Classics series brought out so much I didn't take from the film the first time.  A vile mess of a movie that seems to want to capitalize on the success of both Jaws and Alien before it, Humanoids from the Deep features some gruesome effects from the legendary Rob Bottin and a boatload of silly, mindless horror fun.  Should be a great pick for a splattery evening with friends.

The Believers (1987, Dir. by John Schlesinger.)

Another film I'd not quite appreciated when I was younger.  Schlesinger brings voodoo to New York City with impressive results, and there are some genuinely creepy scenes.  Martin Sheen gets top billing as the father trying to unravel a mystery, but the stars might be Jimmy Smits in a small and doomed role and Harris Yulin as a member of the vicious cult.  The ending is a little off, I think, but I still admire the dark and serious tone of the film.

(Oh, and Robert Loggia's in it.  Consider this an intermission....)

The Bird With the Crystal Plumage (1970, Dir. by Dario Argento.)

You'd probably smack me if you knew how few Dario Argento films I've seen.  But I've always loved his style, and was proud to find myself enjoying his debut feature completely.  The film sets the tone for his entire career as a filmmaker, but there are very few growing pains on display in this good looking and suspenseful giallo.  The sequence with the young woman facing a seemingly normal staircase is textbook Argento.

The Roost & Trigger Man (2005 & 2007, Dir. by Ti West.)

He made a name at the end of 2009 with The House of the Devil, which has quickly become one of my favorite modern horrors, and watching Ti West's first two features goes a long way to show how he pulled off that shocker.  Both films are slow burning tales of characters that are secluded from any help and have to fight to survive, and both films feature abrupt yet fascinating endings.

The Roost (also a former Midnight Movie of the Week pick) reminds us of survival horrors like The Birds and Night of the Living Dead, while Trigger Man is a more human tale of survival in the woods from an unseen gunman.  The average viewer could attest that very little actually happens in these 80 minute films - which has also been said about The House of the Devil - but to me the trilogy of films show that West is the rare director who can turn a quiet moment into a suspense with ease.


Let Sleeping Corpses Lie (1974, Dir. by Jorge Grau.)

Apparently, Sleeping Corpses can't handle the truth.  A rare Italian zombie film that BOTH makes sense and doesn't just decide to be violent for the sake of being violent, the film that's also known as The Living Dead at Manchester Morgue surprised me by being engaging on a visual and mental level.  Like many other horror fans, I'm pretty sick of zombies, but this film is one of the rare exceptions that I'd take with me on the horror ark.

The Being (1983, Dir. by Jackie Kong.)

This is certainly the worst film on this list, but it's a heck of a piece of trash.  Featuring great talents like Martin Landau and Jose Ferrer (plus The Town That Dreaded Sundown narrator Vern Steirman doing explanatory narration), the story puts a small Idaho town in danger from a mutant menace while a bearded detective (played by producer Bill Osco under the awesome pseudonym Rexx Coltrane) investigates.  Also, it features the best Easter Egg hunt in the history of Easter.  Check out the trailer below and tell me this doesn't look like awesome cheese....
And now....The Midnight Movies The Mike MOST Fell in Love with in 2010...

Yeah, I know I said no particular order, but the next four films need to be separated out from the rest.  Not that I don't love all these flicks, but these are the four that will truly stick with me as new favorites from 2010. 

Pieces (1982, Dir. by Juan Piquer Simon.)

I had seen Pieces - in fact, I had seen Pieces a couple of times - before 2010, but it wasn't until I got ahold of the updated/remastered DVD that I really realized what I had seen.  It's the king of bad slashers, bar none, from the ridiculous Bastard moment to the surprise ninjaness and the puzzling (har har!) ending.  I don't know what was wrong with me before, but I'm glad to now say that Pieces now finally makes sense to me in all its awful/awesome glory.

Inside & Martyrs (2007 & 2008, Dir. by Alexandre Bustillo/Julien Maury & Pascal Laugier.)

Yeah yeah yeah, I know. I'm racist and putting the French movies together.  So sue me. At least I'm not using Paint to draw berets on the posters and making jokes about them smelling funny.  (Just kidding! I love you Frogs!) 

Without a doubt, these are the two most brutal and draining horror films I saw for the first time in 2010.  First there was Inside, which is vicious enough to focus on terrorizing an expecting mother.  The film features some of the darkest and most ominous scenes I've seen in a long time, and Beatrice Dalle is nothing short of terrifying as the woman in black who haunts us with a pair of scissors at her disposal.  Blood flows in ways we rarely see, but the whole film stays memorable by keeping us involved with this poor mother and her plight.

On the other hand is Martyrs, which shows its teeth by putting young women in unimaginable torture situations.  There's a bit more light in this one than Inside, but the chills come just the same.  Both films begin with more violence than most horror fans are used to and still manage to escalate through their final acts, though I'd give Martyrs the edge as it reaches heights I never expected to see on screen and take seriously.  Both films have quickly become notorious - and it's easy to see why - but I was surprised to learn in 2010 that the reputations they've acquired in such a short amount of time are definitely well earned.  I must now give kudos to all you sick French people, because this stuff's better than croissants.

These Are the Damned (1963, Dir. by Joseph Losey.)

I covered this one during FMWL's Hammer Films Month in October, and - as much as I loved most of the things I watched that month - I can safely say it made the whole month worthwhile.  A one of a kind sci-fi flick about the dangers of radiation, These Are the Damned features amazing black & white photography and some A Clockwork Orange style gang violence at the hands of a young Oliver Reed.  It's a sci-fi flick that pushes the boundaries that American cinema of the same time period were saddled with, and does so with a chip on its shoulder (after all, director Losey was forced to leave the USA for possibly being subversive).  It's also got a lot of tension throughout, and several scenes remind us of the best horror films its era had to offer.  As I look back on 2010, there's not a film I'm more glad I got to see than These Are the Damned.

And with that said, let us prepare for whatever it is that 2011 will have up its sleeve!  To you, 2010, I must now say "Peace. I'm outta here".

Word to your mother. 

January 2, 2011

FMWL 2010 - The Year That Was (Part Three) - The Midnight Movie of the Week Recap

Yep, 2010 was a year so big that one year could scarcely contain it.  As the next to last part of our recap of the year, I wanted to look back at my babies, the Midnight Movies of the Week, and see where FMWL has been.
  1. The Devil Rides Out (1968, Horror, Terence Fisher.)
  2. Moon (2009, Sci-Fi, Duncan Jones.)
  3. The Food of the Gods (1976, Sci-Fi, Bert I. Gordon.)
  4. Popcorn (1991, Horror, Mark Herrier.)
  5. Martin (1977, Horror, George A. Romero.)
  6. Robinson Crusoe on Mars (1964, Sci-Fi, Byron Haskin.)
  7. The Omen (1976, Horror, Richard Donner.)
  8. Dead of Night (1945, Horror, Alberto Cavalcanti/Charles Crichton/Basil Dearden/Robert Hamer.)
  9. Killer Klowns from Outer Space (1988, Sci-Fi/Horror, Stephen Chiodo.)
  10. The Roost (2005, Horror, Ti West.)
  11. Friday the 13th (1980, Horror, Sean S. Cunningham.)
  12. Scarecrows (1988, Horror, William Wesley.)
  13. The Body Snatcher (1945, Horror, Robert Wise.)
  14. Spider Baby, or: The Maddest Story Ever Told (1968, Horror, Jack Hill.)
  15. The House of the Devil (2009, Horror, Ti West.)
  16. Mr. Majestyk (1974, Action, Richard Fleischer.)
  17. The Descent (2005, Horror, Neil Marshall.)
  18. Captain Kronos - Vampire Hunter (1974, Horror, Brian Clemens.)
  19. Roadgames (1981, Thriller, Richard Franklin.)
  20. The Incredible Shrinking Man (1957, Sci-Fi, Jack Arnold.)
  21. Clownhouse (1989, Horror, Victor Salva.)
  22. Kill, Baby...Kill! (1966, Horror, Mario Bava.)
  23. Happy Birthday to Me (1981, Horror, J. Lee Thompson.)
  24. Fire in the Sky (1993, Sci-Fi, Robert Lieberman.)
  25. The Thing (1982, Horror/Sci-Fi, John Carpenter.)
  26. Ginger Snaps (2000, Horror, John Fawcett.)
  27. The Abominable Dr. Phibes (1971, Horror, Robert Fuest.)
  28. Pretty Poison (1968, Thriller, Noel Black.)
  29. The Ugly (1997, Horror, Scott Reynolds.)
  30. C.H.U.D. (1984, Horror, Douglas Cheek.)
  31. They Live (1987, Sci-Fi, John Carpenter.)
  32. The Texas Chain Saw Massacre (1974, Horror, Tobe Hooper.)
  33. Piranha (1978, Horror, Joe Dante.)
  34. Raw Meat (1972, Horror, Gary Sherman.)
  35. Death Proof (2007, Horror, Quentin Tarantino.)
  36. Candyman (1992, Horror, Bernard Rose.)
  37. The Texas Chainsaw Massacre 2 (1986, Horror, Tobe Hooper.)
  38. The Diabolical Doctor Z (1966, Horror, Jess Franco.)
  39. The Curse of the Werewolf (1961, Horror, Terence Fisher.)
  40. The Legend of the 7 Golden Vampires (1974, Horror/Kung Fu, Roy Ward Baker.)
  41. Maniac (1980, Horror, William Lustig.)
  42. Night Creatures (1962, Horror, Peter Graham Scott.)
  43. Horror of Dracula (1958, Horror, Terence Fisher.)
  44. Vice Squad (1982, Thriller, Gary Sherman.)
  45. Cat's Eye (1985, Horror, Lewis Teague.)
  46. Assault on Precinct 13 (1976, Action, John Carpenter.)
  47. Stir of Echoes (1999, Horror, David Koepp.)
  48. The Entity (1982, Horror, Sidney J. Furie.)
  49. Predator (1987, Sci-Fi, John McTiernan.)
  50. Blue Steel (1990, Thriller, Kathryn Bigelow.)
  51. Silent Night, Deadly Night (1984, Horror, Charles E. Sellier, Jr.)
  52. The Pit (1981, Horror, Lew Lehman.)
A few stats to bring it all together (because I'm kind of a nerd):
  • 39 horror flicks.  Kinda saw that one coming.  I try to bring in other genres (9 sci-fi, 4 weird thrillers, 2 '70s action flicks), but horror usually wins the day.
  • Both John Carpenter (my favorite topic to write on) and Terence Fisher (Thanks, Hammer Films Month!) directed 3 MMOTW's from the first year.  Directors with two films on the list include Ti West, Tobe Hooper, and Gary Sherman (my favorite underloved director).
  • Also predcitable - Christopher Lee and Peter Cushing lead in appearances by an actor (as far as I can tell) at 3 each.  Other actors with two films on the list include The Mike faves like Kurt Russell, Keith David, Ron Silver, Sam Rockwell, and Tom Noonan.
  • Counting her cameo in Phibes, Caroline Munro leads actresses with three appearances.  Jamie Lee Curtis pops in twice.
  • I'm a little surprised how often I went with films from the '80s (17 flicks), and I especially seemed to go there a lot in the final months of the year.  The '70s followed with 11, and may have had more if I hadn't covered a lot of my favorites in FMWL's '70s Cult Project.
  • After those decades, the '60s sent 8 films while the '90s and '00s each had 6.
  • Only one female director (Bigelow for Near Dark).  On the bright side, that's tied with the one Stephen King adaptation (Cat's Eye).
What's the point of it all?  Heck if I know.  But if you wanted a one stop shop for flicks I love and would recommend for late night viewing....here it is.  Can't wait to see what 2011's list looks like!

And now....The Mike's favorite MMOTW Screen Shots from 2010!  (Click to huge-ify!)























    December 28, 2010

    FMWL 2010 - The Year That Was (Part Two) - FMWL's Top 11 Genre Films of 2010

    I know what you're thinking - "Well, it's one more...isn't it?"  And you're right.  Top 10s are so cliche, anyway.  (Almost as cliche as referencing This is Spinal Tap, but I digress....)

    I saw a lot of horror, sci-fi, and all-around weird films in 2010.  And when it came time to make a list of my favorites, I felt a little lost.  But when I really broke it down, the eleven films listed below - each of which fits under FMWL's loose definition of being a 2010 film - were absolutely the eleven films I knew I had to recognize, because they were the films that I was certain would stick with me for as long as I shall view movies.

    Ranking the eleven films was a far bigger challenge than picking the eleven films, because I truly love each of these films in their own way.  So, though I have went ahead and done my best to rank these films in countdown fashion, make sure you recognize that I will stand up for each of them any day.  At FMWL, we're all about being unconditional.

    You probably never saw most of these films at your local multiplex, and you might not have even heard of some of them...but rest assured that these are the eleven films that I'm going to remember most fondly from 2010.

    First....The Honorable Mentions:
    Films that didn't quite get here include:
    The Darkness Within (Directed by Dom Portalla.) - A raw, yet enthralling indie psychodrama with great performances.
    Frozen (Directed by Adam Green.)- Chilling and effective; Emma Bell gives a fantastic performance.  Plus, it's a great talking piece.
    Machete (Directed by Robert Rodriguez & Ethan Maniquis.) - Might grow on me with time.  If nothing else, it was a ton of fun.
    Splice (Directed by Vincenzo Natali.) - I love Frankenstein tales, and Sarah Polley and Adrien Brody propel this one despite the awkward random sex parts.

    Then....The List.
    FMWL's Top 11 Genre Films of 2010 

    Number 11: Devil (Directed by John Erick Dowdle.)

    I'm a sucker for religion based horror films, and I'm a sucker for The Twilight Zone.  I'm not usually a sucker for the mind of M. Night Shyamlan - at least not since the near perfect Unbreakable - but Devil won me over with its simple tale of elevator-bound horror.  It's not exactly Serling and it's a bit long for its story, but I loved what it did with the clever premise and the message it sent home with me.  I'll be revisiting it often, I think.

    (Check out The Mike's review of Devil HERE.)

    Number 10: Hunter Prey (Directed by Sandy Collora.)

    I haven't had a chance to review this one yet, (I just saw it on Thursday) but this is one heck of an old school sci-fi film.  The premise is simple - A ship crashes on a desert planet, and the survivors search for the dangerous prisoner who escaped during the crash.  A battle of wits ensues.  Director Collora, who made this as his first feature, succeeds in creating a minimalist game of cat and mouse using practical effects and unknown actors (except for the voice talents of Buck Rodgers babe Erin Gray).  This is the kind of low budget sci-fi film that would have been loved in the '70s or '80s, and I'm stoked to have found it in 2010.

    (Check out the trailer for Hunter Prey HERE.)

    Number 9: Centurion (Directed by Neil Marshall.)

    When a film by Neil Marshall, who might be my favorite new filmmaker this side of John Carpenter, comes in at number 9 on the list, you know it's been a great year.  Marshall's fantastic tale of ancient war is the only true action film to make FMWL's list, because the action plays so much like a horror film.  Like Marshall's phenomenal Dog Soldiers, the film blends genres well and features some of the best cinematography I've seen in 2010.

    (Check out The Mike's review of Centurion HERE.)

    Number 8: Dark and Stormy Night (Directed by Larry Blamire.)

    I waited far too long for Larry Blamire's follow-ups to one of my favorite spoofs, The Lost Skeleton of Cadavra.  But patience paid off, as 2010 saw the DVD release of both that film's sequel (The Lost Skeleton Returns Again!) and the spoof of "old dark house" films, Dark and Stormy Night.  Both were fantastic entertainment, but I'm giving Dark and Stormy Night the edge for being a spot on comedy that inspires plenty of belly laughs.  Blamire and his ensemble have hit another home run with this one, and I've already begun popping in this DVD at times when I need a pick-me-up.

    (Check out the trailer for Dark and Stormy Night HERE.)

    Number 7: The Commune (Directed by Elisabeth Fies.)

    As I stated in Part One, I'll most remember 2010 as the year in which I learned what independent horror can be at its very best.   There are three films that inspired me to feel this way, and the first I'll mention here is The Commune.  Following the journey into fear that a young girl takes while living at a Northern Californian commune with her kooky father, Elisabeth Fies' film is as haunting as anything I've seen this year.  My initial response to the film was not entirely positive, but I haven't been able to shake the film from my memory.  In my mind, that's the mark of a truly effective horror film.

    (Check out The Mike's review of The Commune HERE.)

    Number 6: Triangle (Directed by Christopher Smith.)

    Another mental horror, Christopher Smith's Triangle (technically a 2009 release, but the DVD hit in 2010), is the kind of twisty ride I just can't get enough of.  I haven't really reviewed it yet, because I don't even want to start thinking about it...I just want to let it happen to me, over, and over, and over.  Melissa George gives a surprisingly fantastic performance in the difficult lead role, and there are plenty of images that are both brutal and unforgettable.  

    (Check out a quick post on the film from The Mike's other blog HERE.)

    Number 5: Let Me In (Directed by Matt Reeves.)

    Eat some now, save some for later, eat some now, save some for later.....

    Err....Sorry, that jingle is still stuck in my head.  And much to my surprise, so is Let Me In, the Hammer Films produced remake of the sublime Let the Right One In.  A fine example of what a remake can be (even though it doesn't really improve upon the original), Let Me In gives a new perspective on the tale we loved in LtROI, and great performances by Kodi Smit-Mcphee and Chloe Moretz do wonders for the film.  This might be the most grand mainstream horror of the year, and I'm still getting over how much I dug it.

    (Check out The Mike's review of Let Me In HERE.)

    Number 4: Dead Hooker in a Trunk (Directed by Jen & Sylvia Soska.)

    The basis of my initial reaction to Dead Hooker in a Trunk was simple: I never thought I'd have so much fun with a movie called Dead Hooker in a Trunk.  Despite my love of all things bizarre, I've always been a bit of a conservative fella.  Films called Dead Hooker in a Trunk are a little outside of my rural Iowan upbringing.  But there the film was, being ridiculously fun, and charmingly uptempo, and even sadistically sweet...and I was loving it.  It's not just a catchy name, Dead Hooker in a Trunk is modern grindhouse cinema at its best.

    (Check out The Mike's review of Dead Hooker in a Trunk HERE.)

    Number 3: The Last Exorcism (Directed by Daniel Stamm.)

    I mentioned my love for religio-horrors earlier, and The Last Exorcism was so far up my alley that it was scary...in a good way.  The performances of Patrick Fabian and Ashley Bell are truly among the best I've seen this year in any film, and there are plenty of wonderful images throughout the film that made my skin crawl.  Some don't feel as passionate about the finale as I do, but I thought it was a cool way to wrap up the story and I don't hold anything against it.  Horror's best rags-to-riches story of 2010 is one I can't wait to revisit often.

    (Check out The Mike's review of The Last Exorcism HERE.)

    Number 2: Dawning (Directed by Gregg Holtgrewe.)

    If there's a film from 2010 that's most made me look over my shoulder in fear, it's the yet-to-be distributed Dawning.  Making the most of a secluded, wooded setting and the discomfort that arises from a dysfunctional family, the unseen terror at work in Gregg Holtgrewe's film kept me thinking while the technical aspects of the film made me forget the film's independent nature quickly.  Aside from being a great horror film, this was the film that inspired me to look deeper into the world of independent horror, and I'm incredibly grateful to have experienced it.

    (Check out The Mike's review of Dawning HERE.)


    Number 1: Monsters (Directed by Gareth Edwards.)

    I just don't know where to begin when talking about Monsters.  It's a one-of-a-kind sci-fi film that offers spectacle and humanity in equal doses.  Though it won't thrill those seeking action or gore, it struck me as one of the most moving and beautiful films I've seen in ages.  Perhaps the characters aren't that unique or the monsters aren't featured as much as we'd like - but the road we travel through the film is well worth taking.  

    I know I'm rambling....but that's what Monsters did to me.  And I love that.
    (Check out The Mike's review of Monsters HERE.)
    **********************************************
    I never would have predicted this list as 2010 began, but I'm ecstatic about the 11 films I've been able to list today.  They might not each be your cup of tea - this is certainly a varied bag of genre goodies - but I hope you can find something in one of these films that you dig as much as I do.  

    (And if not, just dig something you want to dig.  That's why genre flicks are here in the first place.)

    Meanwhile, I've got one simple message for these films......