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| That time when Lisa Loeb and Spike went on a rollercoaster. |
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| Spooky eye stained glass. |
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| Chris Kattan freaking the heck out. |
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| Things with old spoky wheels always creep me out. |
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| The wicked sensory depravation/crazy making room. |
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| And plenty of other drop-ins from the esteemed Mr. Combs. |
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| Bloody naked scary women in black and white and red. |
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| You'll never top Price and Ohmart, but Geoffrey Rush and Famke Janssen are a fantastic match. |
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| Because not enough horror movies have static electricity special effects. |
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| It's got a head in a tray too. |
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| And there's Glenn Ford everybody! |
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| Perhaps my favorite image of blood on film. |
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| That awkwardly tense scene in the bell tower. |
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| Unlike most slasher films, this is brain surgery. |
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| Every good birthday needs a creepy scene lit by cake. |
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| And it goes perfectly with a late night snack. |
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| The house has eyes. |
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| But really the movie's pretty much about the beard. |
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| Creepy kids and their invisible ghost pig friends. |
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| The recurring 3:15 (and some cool '70s clocks). |
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| Rod Steiger. Actor. |
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| Shots from weird angles where the camera seems to be leaning up off the floor. (And the dude's afro.) |
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| The red room haunts me. |
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| No matter how silly and long the movie is (the answer is "a lot" on both accounts) the psycho Brolin stare is pure horror. |
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| If I had it entirely my way, I'd have posted 8 pictures of the guy with the Fu Manchu 'stache. This one's also cool for the kid in the background who's so excited that you'd think he was at a Stryper concert. |
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| The Chainsaw Leap. |
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| "It's a trick. Get an axe." |
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| Attack of the Four-Inch Tall Groovies. |
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| I strongly believe that "I'm blind. I'm blind!" moment that's followed by that wink and that noise is the best thing the great Bruce Campbell has ever done. |
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| The three words from the undeniably great The Day The Earth Stood Still. |
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| That moment when Fu Manchu 'Stache Dude basically saves the day and keeps the movie going. |
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| The S-Mart Ending. Sorry Sam, I know you didn't want this and I may be a primitive knucklehead for saying this, but "Hail to the King, Baby." did a lot more for this movie's success than that goofy time travel ending would have. |
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| Because what's a slasher film without Mommy issues? |
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| Anatomy professor with the oh-so-convenient 'Stache of Impending Doom. |
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| The Blob of blood that comes from a co-ed decap. |
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| It doubles as an exercise video! |
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| The groundskeeper/potential killer status of Paul Smith's character, keeping the film in Scooby-Doo territory. |
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| The chainsaw-to-skin effects are one of the few things in this movie that is actually impressive. |
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| Every campus needs its own ninja. |
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| If I have to explain this one, you need to see Pieces. NOW. |
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| Christopher Lee not being amused. |
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| Christopher Lee being inventive. |
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| An observatory with interesting flooring. |
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| Folks putting their hands in the air like they just don't care. |
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| The incredibly possessable Sarah Lawson. |
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| The child-eating spider of Satan. |
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| Taking a stand - with the help of chalk, candles, and throw pillows. |
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| Christopher Lee getting a chance to say "I'm the good guy this time, suckas!" |
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| This cute little fella and his trusty canister. |
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| Corman University 1959, in glorious black & white. |
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| Unibrow Jock Dude. |
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| Everything about Tom Atkins, naturally. |
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| Rooms with dark lighting and shiny buttons always rule. |
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| The thing from Detective Cameron's past. |
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| JC's ominous final message. |
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| But, mostly, Jill Whitlow with a flamethrower. SWOON. |
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