The Mike's Top 50 Horror Movies Countdown: #16 - Gremlins

Previously on the Countdown: Number 50 - Happy Birthday to Me  Number 49 - Prince of Darkness  Number 48 - House on Haunted Hill  Number 47 - The Monster Squad  Number 46 - Hellraiser  Number 45 - The Fog  Number 44 - Creature From the Black Lagoon  Number 43 - Zombie  Number 42 - Tales from the Crypt  Number 41 - Bubba Ho-Tep  Number 40 - Phantom of the Paradise  Number 39 - Dog Soldiers Number 38 - Pontypool  Number 37 - Dark Water  Number 36 - Army of Darkness Number 35 - The Legend of Hell House  Number 34 - Poltergeist  Number 33 - The Abominable Dr. Phibes  Number 32 - The Phantom of the Opera  Number 31 - The House of the Devil   Number 30 - Evil Dead II  Number 29 - Dead of Night  Number 28 - Carnival of Souls  Number 27 - Nosferatu  Number 26 - Candyman  Number 25 - The Texas Chain Saw Massacre  Number 24 - Horror of Dracula  Number 23 - The Wicker Man  Number 22 - Suspiria  Number 21 - The Omen  Number 20 - Spider Baby or, The Maddest Story Ever Told  Number 19 - Rosemary's Baby  Number 18 - The Devil Rides Out  Number 17 - The Blob

Gremlins

(1984, Dir. by Joe Dante.)

  Why It's Here:

Gremlins is kind of the Keyser Soze of horror movies, because parents didn't really know what they were doing when they showed it to us kids in the '80s.  It had Steven Spielberg's name on it and a cute little marketable thing named Gizmo (and let's not kid ourselves, I STILL want a Gizmo), so they showed it to us.  But really, when you break down what Gremlins actually is - which many parents did too late, leading to a minor controversy and the invent of the PG-13 rating by the MPAA - you start to notice that it's actually Joe Dante's vision of a kitschy 1950s' sci-fi/horror flick.  And, thanks to a lot of talented special effects people, Dante and company were able to create some surprisingly gory little critters and a level of monster carnage that entertains horror viewers of any age.

The Moment That Changes Everything:

While the monster effects of the film and some smart direction by Dante are the things that establish Gremlins as a horror film, it's a unique monologue that shows just how dark this film's vision is.  When Phoebe Cates' character starts to recount why she doesn't care for Christmas, it quickly becomes clear that this is a film with an insidious taste for the dark side of cinema.

It Makes a Great Double Feature With:

People want me to say Critters, but I'm not gonna say Critters.  Critters isn't fun enough to be in Gremlins' league.  You know what is fun enough to be in Gremlins' league? Tremors!  Tremors has to be Gremlins' western-flavored cousin or something.  There's probably a really intelligent paper about society in small towns in horror cinema of that era that could draw upon the differences between these small towns.  I'm not smart enough to write it - I'd probably have to use the term dichotomy, and that thing's a son-of-a-monkey to type - but I'm saying it could be written.

What It Means To Me:

A lot of people might tell you that Gremlins is the perfect horror movie for kids.  But those of us that grew up with it know there's a little more to Gremlins than that.  I'm not saying this is for adults only, of course, but there's a lot of stuff here - like that speech from Cates - that is too far gone for the littlest horror fans.  But Gremlins is still a key piece of any introduction to horror for me, and the fact that it still plays so well to an adult horror fan is the ultimate testament to its greatness.